The following is excerpted from the question-and-answer section of the transcript.
(Questions from industry analysts are provided in full, but answers are omitted - download the transcript to see the full question-and-answer session)
Question: Benjamin Swinburne - Morgan Stanley - Analyst
: I'm sure there's a lot of hard work to get to this point. You guys are spending quite a bit of money to acquire this asset, obviously, a much
larger acquisition that you've ever done before, $70 billion plus. So you must think you can create value for your shareholders. You talked
about that a bit in the prepared remarks and make these businesses worth substantially more than what you're paying.
So could you talk about how that happens at a high level? Because the release kind of talks about both leveraging this IP on Netflix, but
also continuing to run the businesses kind of as is. And to some degree, there's no free lunch, right? It's sort of one or the other, at least on
a specific show or film basis. So I'd love to hear more about how you think this ultimately creates value for your shareholders?
And specifically, how you think about running these two businesses, the Studio and HBO in the long term alongside, obviously, the core
Netflix business.
Question: Rich Greenfield - LightShed Partners - Analyst
: I think the most obvious is why now. You could have bought Warner Bros when the stock was at six, nobody wanted it. Skydance was tied
up buying Paramount like you had a unique window of time. Is there a reason now in terms of like looking at the need to accelerate
engagement? Or I guess, just what was it about this timing that it became so important to go after this asset now.
And then I think I just have to ask, Greg, you came to the Bloomberg conference and you made a very specific quote that there is a long,
long history of media transactions that do not end well. I guess for everyone listening, why is this going to end differently than every other
media transaction essentially of this scale in history?
Question: Steven Cahall - Wells Fargo Securities LLC - Analyst
: So first, just wanted a little more clarity on how you're envisioning HBO. Spence, I think you talked about the subscriber engagement benefits
to the transaction. And Ted, I think you said that HBO would remain in some sort of shape or form. So should we think about HBO as being
an entirely separate service for the long term? Or could it be a hub sort of inside of Netflix where the brand remains so significant as it is
today, but there is kind of a bigger synergy inside Netflix to members.
And then just on the content side of things, I mean, I kind of think about this as an acceleration of future content spend into this $83 billion
enterprise value for studio and library. I don't know if that's exactly how you think about it. But how do you think about content spend for
the combined company on a proforma basis? And what kind of savings would you expect from Netflix' content spend given this big library
in studio you're acquiring?
Question: Steven Cahall - Wells Fargo Securities LLC - Analyst
: Yes.
Question: Robert Fishman - Moffatt Nathanson - Analyst
: Ted, you've been focused on keeping the value of Netflix content exclusive to your platform, mostly avoiding theatrical releases. So can
you just discuss why do you plan to change that strategy now with the Warner Bros theatrical releases? Or would you be open to evolving
Netflix's release to a day and date type of tentpole strategy in the future?
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DECEMBER 05, 2025 / 1:00PM, NFLX.OQ - Netflix Inc to Acquire Warner Bros
And then maybe just on a related note, when we think about all the third-party licensing that Warner Bros Studio does today, how is that
going to evolve over time, both in the US and internationally?
Question: John Hodulik - UBS AG - Analyst
: Congrats on the deal. Just can you guys talk a little bit about your thoughts on -- are your expectations from an engagement standpoint. It
would seem that just adding the engagement you're seeing on Netflix and HBO would understate the benefits you would get just given the
sort of Netflix effect we've seen on previous content.
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DECEMBER 05, 2025 / 1:00PM, NFLX.OQ - Netflix Inc to Acquire Warner Bros
And then aside from that, just what this transaction could do to your ad business? It would seem in the sort of crawl, walk, run, this would
sort of accelerate you guys to the run phase much quicker. And then lastly, any change in terms of the importance of sports content just
given the broader platform, the broader reach you guys have, just the importance you think in terms of adding live content and sports to
both platforms going forward?
Question: Jessica Reif Ehrlich - Bank of America - Analyst
: I guess, one, it doesn't sound like you're changing at least initially any of Warner Bros operations. So if there's something -- if you're thinking
about it differently, I'd just be curious to hear your thoughts on that. And how do you plan -- Warner Bros has the most successful and the
deepest film and TV library. And you talked about creative universes. Can you just share your thoughts on how you plan to exploit it differently
or more deeply than it's been done. And the cost savings, where will they be coming from?
Question: Michael Morris - Guggenheim Securities LLC - Analyst
: I wanted to ask a couple of questions about the process. There has been some press that this combination could face a pretty challenging
regulatory review process. And so my question there is, what gives you the confidence that you will be able to pass through that process.
That's my first. And my second is, there's also a coverage that it's been a pretty competitive bidding process with respect to some other
bidders.
Do you expect there to be a continuation where another bid could come in? And you have to raise the offer? Or should we assume that this
is sort of the final structure of what this will look like.
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DECEMBER 05, 2025 / 1:00PM, NFLX.OQ - Netflix Inc to Acquire Warner Bros
Question: John Blackledge - TD Cowen - Analyst
: Great. Maybe, Ted, if you could just add on US production of film and episodic shows, what that kind of looks like post the deal? And how
does the creative community around the world benefit from the deal?
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